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池海波 Chi Haibo(中国)

2022-7-22 10:31| 发布者:zhcvl| 查看:815| 评论:0

池海波 Chi Haibo


池海波
现驻上海临港国际艺术园 影像艺术家
中国摄影家协会 会员
上海市摄影家协会艺术专业委员会 副主任

Chi Haibo
Currently stationed in Shanghai Lingang International Art Park as an image artist
Member of China Photographers Association
Deputy director of the art professional committee of Shanghai Photographers Association

《海》

纵览中外艺术史,大海牵动着众多艺术家的心灵律动和精神寄托。伦勃朗画《加利利海上的风暴》,呈现出人对大海的恐惧与无奈。莫奈以《日出印象》表达出心的迷茫与色彩的诱惑,从而成就了印象派在视觉艺术上的深远影响。康斯坦丁诺维奇•艾瓦佐夫斯基以狂风暴雨般的笔触,挥洒出《九级浪》的磅礴狂放,演奏着现实主义的交响。葛饰北斋的《神奈川大海浪》,却是海洋的东方神秘主义寓言图腾。在亚洲东海岸的临港海面上,用色彩的旋律,谱写出自己的乐章。明亮而清晰,汇入历史与现实的交响。留下的一道寄情于海,寓意于海的精神轨迹。

The sea
Looking at the history of Chinese and foreign art, the sea affects the spiritual rhythm and spiritual sustenance of many artists. Rembrandt's painting “The Storm on the Sea of Galilee” shows human's fear and helplessness of the sea.
Monet expressed the confusion of heart and the temptation of color in his work " Impression Sunrise", which achieved the far-reaching influence of Impressionism on visual art.
Ivan Constantinovich Aivazovsky played a realistic symphony with the majestic and unrestrained style of " The Ninth Wave" with his stormy strokes.
Katsushika Hokusai ‘s “The Great Wave of Kanagawa” is the Oriental mystical fable totem of the ocean. On the sea near the port on the east coast of Asia, he composed his own movement with the melody of color. Bright and clear, it merges into the symphony of history and reality, leaving a spiritual track of feeling in the sea and implying in the sea.







展览作品

2022年作品《上海临港的海1.2》参展首届北京影像博览会

2021年作品《水墨沧海1.2》《明月共潮生》《冬韵》参展第七届影像上海艺术博览会

2020年作品上海国际摄影节特邀展《临港的海》专题展出

2019年作品《似山是树》《沙漠之树》参展第六届上海影像博览会

2018年作品《风雅》专题,上海临港当代美术馆个展



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