丨作者：长弓 丨出版日期：2024年10月 丨出版社：读图时代出版社 丨ISBN： 978-99965-54-41-4 丨定价：60元 前 言 在这里展出的作品，基本上是在2012年前后拍摄的。当时计划出一套四本的《四季池塘》，在2014年到2015年出了这个系列的前两本——《水畔堤边》和《荷塘印象》。到了2016年因为拍摄其他系列的原因，就将这个系列出版的事搁置了，但总觉得这个事没有进行完。 近些年来，尤其是在过去的三年中有了些时间翻翻过去的作品，同时也有朋友关注这个系列的完整性，所以就有了将这个系列进行完整交代的想法。 十年前拍摄这一系列时，所涉足的都是在家门口附近昆玉河沿线，最远不过颐和园，最近就在玉渊潭。家门口附近我是再熟悉不过了，当年“就在此处找到此刻”的愿望，已经盖过了再早那种“只把他乡当故乡”的寻找冲动，而这种刻意在这个系列进行时，以及后来其它的拍摄行动中被涤荡殆尽了，我个人认为《四季池塘》是我摄影活动的分水岭。 现在看起来，那时拍摄的作品有著许多遗憾，有的遗憾是因为对眨眼即逝的无能为力，而有的遗憾确实形成于当时我个人的认知所限。好在这些现在意识到的遗憾，被凝结在那时的影像中了。尽管有这样和那样的遗憾，但是在硬盘中的电子文件无法代替照片的展览和印刷的呈现——这个概念还是被我顽固的坚信著，这种偏执也是形成此次展览的原因之一。 今天是摄影术诞生的纪念日。在此展出这几张作品，可能也是想要留下个纪念吧。 感谢长期支持、关注的师长和朋友们。 长弓 2023年8月19日于北京 Preface The works exhibited here were largely taken around 2012. At the time, the plan was to release a four-book set named Four Seasons of the Pond, and the first two books in this series Waterside Embankment and Impressions of the Lotus Pond were published in 2014 and 2015. In 2016, because of the filming of other series, I put the publishing of this series on hold, but I always felt that this project was not finished. In recent years, especially in the past three years, I have had some time to review the past works, and at the same time, some friends are concerned about the integrity of this series, so I have the idea of giving a complete account of this series. Ten years ago, when I shot this series, all I had to deal with was along the Kunyu River near my home, as far as the Summer Palace, and as close as Yuyuantan. I know the neighborhood of my hometown very well, and the desire of “finding this moment right here” had already overridden the earlier impulse of “treating other places as my hometown”, and this kind of intention was washed away in this series and in other shooting actions later on. Personally, I think Four Seasons of the Pond is a watershed in my photographic activities. In hindsight, I have many regrets about the work I shot at that time, some of which were powerlessness in the blink of an eye, and some of which were due to the limitations of my personal knowledge at the time. The good thing is that these regrets, which I realize now, were frozen in the images of that time. Despite all the regrets, the notion that electronic documents on a hard disk cannot replace the exhibition of photographs and the presentation of prints is a concept that I stubbornly believe in, and this paranoia is one of the reasons for the formation of this exhibition. Today is the anniversary of the birth of photography. I'm exhibiting these works here as a reminder of that. Thank you to the teachers and friends who have provided long-term support and attention. Longbow August 19, 2023 in Beijing
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