2026俄罗马希中5+国际摄影展艺术委员会（俄罗斯-罗马尼亚-北马其顿-希腊-中国） Arts Committee of RRMGC 2026 5+Internationa Photogrphy Exhibition
Chian Photo Network Online
Japan Chinese Photography Exchange Association
Association of Photographers Eurasia
Varadinum Foto Club-Oradea Romania
Hellenic Photographic Society
The Photography Salon Society of Macao 前 言 如果说，上一回《现·像》展，是我们在全球疫情的阴霾下，退回内心、于“人性与理性”中寻找安顿与守望；那么今天，这场“从东欧到东方”的五国人文摄影展，则是我们循着光影的指引，重新迈开脚步，跨越经纬度的一次深情出发。 本次展览以俄罗斯、罗马尼亚、北马其顿、希腊与中国五国为核心脉络。从俄罗斯广袤原野的深沉、罗马尼亚喀尔巴阡山的厚重，到北马其顿深邃古韵的回响、希腊爱琴海畔的明灭，再到中国大地的氤氲烟火与巍峨长城，五国摄影家共同划出了一条由西向东的漫长视觉弧线。这不仅是地理意义上的跨越，更是不同源流的文明在光影中的一次相遇与对读。 如此深度的跨越与对话，离不开学术的引航。本次展览学术阵容强大，艺委会特邀中国摄影界泰斗、以《中国长城》系列闻名于世的陈长芬先生领衔，并由罗马尼亚、希腊、俄罗斯、北马其顿等国权威摄影机构负责人共同组成。这不仅是跨国界组织力量的汇聚，更是东西方影像学术视野的深度融合。陈长芬先生镜头下那道承载着中华民族精神形象的长城，与东欧大地上同样历经沧桑的古堡与遗迹，在学术的维度上形成了跨越时空的互文，确保了本次展览在极高专业视野下的严谨与开放。 值得关注的是，在日华人摄影交流协会会长冯学敏先生及六位在日华人摄影家的倾情参展，为这次跨越经纬的对话注入了独特的跨文化生机。他们身处异邦，镜头里既凝结着华夏儿女对故土的深情与东方审美的底蕴，又不可避免地融汇了异域生活带来的光影感知与视界流变。这群在日华人的视界，如同一道柔性的桥梁，让“东方”的内涵在流动与互鉴中变得更加丰盈立体。 由此，正如《现·像》中所言，中西方文化背景的不同，必然带来摄影语言表达的差异。在此次多国并置的场域中，这种差异依然鲜明且迷人：俄罗斯与罗马尼亚的镜头里，往往带着历史沉淀下的冷峻与悲悯；北马其顿与希腊的画面中交织着古文明的深邃与哲思；而东方中国的影像，则依然流淌着传统文化熏陶下的诗意与气韵，在万物生息中捕捉那份天人合一的温情。 一种是把生活的厚度直接剖开，邀请你共尝悲欢；另一种是将生命的体验化境，等待你静心品读。然而，当五国作品并置一堂，我们再次印证了那个朴素的真理：在“摄影”这个共通的范畴里，所有形态的差异，最终都汇聚于对“人”的共同关切。无论是东欧街头的孤影，还是东方村落里的笑靥，底色皆是人间烟火，皆是生命在特定时空下顽强而美丽的绽放。 时光流转，当年促使我们转战线上的疫情阴霾已渐渐散去，但中国摄影在线网对云端展览的深耕与探索未曾停歇。从昔日线上解渴的权宜，到今朝云端漫游的常态；从《现·像》的交错式对流，到如今“从东欧到东方”五国学术阵容的深度共建，线上平台早已跨越了物理空间的藩篱，成为连接中外摄影界更具广度与韧性的桥梁。这种长年累月的积淀，让国际间的交流不再受制于地域的阻隔，而是走向了文化肌理深处的共振。 方寸之器，因心而殊，凝驻万端时空；千面之影，同气相求，共奏生民天籁。越言筌之藩篱，晤对五国流光，当觉超乎疆域之外，人性与理性，浑然共融。 延续这种交流，不仅是责任，更是在这个变化莫测的世界里，我们借由摄影向彼此传递的最温暖的确认。 策展人 陈伟录 Foreword If our previous exhibition Reflection & Phenomenon was a retreat into the inner self amid the gloom of the global pandemic, a quest for spiritual anchorage and vigilance within humanity and rationality; then this five-country humanistic photography exhibition, “From Eastern Europe to the East”, represents a heartfelt journey forward guided by light and shadow — a new expedition spanning latitudes and longitudes. Centering on five regions — Russia, Romania, North Macedonia, Greece and China — this exhibition traces a vivid visual journey. It moves from the profound vastness of Russia’s wilderness and the solemn grandeur of Romania’s Carpathian Mountains, through the echoing ancient charm of North Macedonia and the flickering radiance of Greece’s Aegean coast, to the lively mortal warmth and the majestic Great Wall of China. Photographers from the five countries jointly unfold a long visual arc stretching from the West to the East. This is not merely a geographical crossing, but a profound encounter and dialogue between civilizations of diverse origins, interpreted through the language of photography. Such in-depth cross-border dialogue and exchange is underpinned by rigorous academic guidance. Boasting a distinguished academic team, the exhibition’s Art Committee is led by Mr. Chen Changfen, a towering figure in Chinese photography renowned for his iconic series The Great Wall of China. The committee is further composed of leading representatives from authoritative photography institutions across Romania, Greece, Russia and North Macedonia. It embodies not only the convergence of cross-border professional forces, but also the in-depth integration of Eastern and Western photographic academic visions. The Great Wall in Mr. Chen Changfen’s lens, a timeless symbol of the Chinese national spirit, forms a cross-temporal intertextuality with the time-honored castles and relics of Eastern Europe. This strong academic foundation ensures the exhibition maintains professionalism, rigor and inclusiveness at an exceptionally high standard. Notably, the participation of Mr. Feng Xuemin, President of the Overseas Chinese Photography Exchange Association in Japan, together with six overseas Chinese photographers based in Japan, infuses unique cross-cultural vitality into this cross-latitude dialogue. Residing in foreign lands, their lenses embody both the profound affection of overseas Chinese for their homeland and the inherent aesthetics of the East, while integrating fresh perceptual insights and evolving visual perspectives nurtured by overseas life. Their unique vision serves as a flexible cultural bridge, enriching and diversifying the connotation of “the East” through cultural integration and mutual appreciation. As noted in our previous exhibitionReflection & Phenomenon, differences in Chinese and Western cultural backgrounds inevitably give rise to distinct photographic expressions. Such differences remain striking and captivating in this juxtaposed multi-country exhibition. The lenses of Russian and Romanian photographers often carry the solemnity and compassion forged by historical sediment; works from North Macedonia and Greece are permeated with the profundity and philosophical contemplation of ancient civilizations; while Eastern Chinese photography lingers with the poetic charm and artistic verve nurtured by traditional culture, capturing the warmth of the unity of humanity and nature amid the cycles of all living things. Some works lay bare the depth of life directly, inviting viewers to taste the joys and sorrows of mortal existence; others transform life experiences into artistic conception, awaiting quiet contemplation and interpretation. Nevertheless, the juxtaposition of works from the five countries reaffirms a simple truth: within the universal language of photography, all stylistic differences ultimately converge in the shared concern for humanity. Whether it is a solitary figure on an Eastern European street or a smiling face in an Eastern village, all works are rooted in the warmth of ordinary life, witnessing the tenacious and beautiful blooming of life in specific time and space. The shadow of the pandemic that once drove art exhibitions online has gradually faded with the passage of time. Yet China Photography Online has never ceased its in-depth exploration of cloud-based exhibitions. What was once a makeshift solution to sustain artistic exchange has now become a normalized way of roaming art online. From the interactive cultural dialogue of Reflection & Phenomenon to the in-depth academic co-creation of this five-country exhibition spanning Eastern Europe and the East, the online platform has broken the barriers of physical space, evolving into a broader and more resilient bridge connecting the Chinese and international photography communities. Years of persistent accumulation have freed international artistic communication from geographical constraints, enabling profound resonance within the core of diverse cultures. Framed within a small lens, time and space are redefined by the artist’s heart; diverse photographic visions, united in spirit, jointly sing the authentic melody of mortal life. Transcending the limitations of language and form, we confront the flowing imagery of five nations, witnessing the harmonious integration of humanity and rationality beyond territorial boundaries. Sustaining such cross-cultural exchanges is not merely a responsibility, but also the warmest affirmation we deliver to one another through photography in an ever-changing world. Chief Curator: Chen Weilu |
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